'Lec 26 - Application of 72 mela' Video Lecture

Course Video Lectures Lec 01 - The Body of Music Lec 02 - Music everywhere finding the classic.. Lec 03 - Classical Music Art Music Lec 04 - Music through Melody & Music through.. Lec 05 - Musical Material A Hard Look Lec 06 - Musical material Mo2 Lec 07 - Carnatic Music as Raga Music Lec 08 - Understanding Raga - Part I Lec 09 - Understanding Raga - Part II (Raga a.. Lec 10 - Understanding Raga - Part III A Glim.. Lec 11 - Swara in the Sanskrit Textual Tradit.. Lec 12 - Sruti in Sanskrit Textual tradition Lec 13 - Tambura Lec 14 - Gamaka I Lec 15 - Gamaka II Lec 16 - Gamaka III Lec 17 - Gamakas IV Lec 18 - Raga and Phraseology Lec 19 - Raga - some basic expectations Lec 20 - A string of Ragas and a teaser Lec 21 - Raga in the textual tradition Lec 22 - Classification of Ragas I Lec 23 - Classification of Ragas II Lec 24 - Mela system of classifying raga-s Lec 25 - Generating the 72 mela-s Lec 26 - Application of 72 mela Lec 27 - Katapayadi Naming the 72 melas Lec 28 - Vivadi I Lec 29 - Vivadi II Lec 30 - Raga - Circles and Triangles Lec 31 - Laya: temporal discipline in music. Lec 32 - Tala an Introduction to the Concept Lec 33 - More on Tala and laya Lec 34 - Aspects of Tala - I Lec 35 - Aspects of Tala - II Lec 36 - Aspects of Tala - III Lec 37 - Aspects of IV Lec 38 - Composition in Carnatic Music Lec 39 - an Introduction Lec 40 - Varnam and laya intricacies Lec 41 - Kriti the premier compositional form.. Lec 42 -Kriti some basic features Lec 43 - Precursors to the Kriti Lec 44 - Bhakti and Carnatic Music: Metaphor,.. Lec 45 - Tanjavur and the Carnatic Trinity Lec 46 - Tyagaraja, the Vaggeyakara Lec 47 - Tyagaraja and His Many Moods -I Lec 48 - Tyagaraja and His Many Moods II Lec 49 - Muthuswami Dikshitar an overview Lec 50 - Muthuswami Dikshitar the Sanskirt Sc.. Lec 51 - Muthuswami Dikshitar Some Other Aspe.. Lec 52 - Syama Sastri Lec 53 - Tamil Composers before the trinity Lec 54 - Post trinity Composers Lec 55 - Swathi Tirunal - the Versatile Royal.. Lec 56 - The Romance of Padam and Javali Lec 57 - Tillana Lec 58 - Improvisation in Carnatic Music - Al.. Lec 59 - ALAPANA : Style and Aesthetics Lec 60 - Neraval and Swaraprastara Lec 61 - TANAM Lec 62 - An expostion of Balagopala,a kriti i.. Lec 63 - Accompaniment in Carnatic Music - Th.. Lec 64 - Percussive Accompaniment - the Mrida.. Lec 65 -Subsidiary Accompaniment - Interactio.. Lec 66 - The Typical carnatic Concert And Rag..