'L33-From The Playwright's Perspective -Part II' Video Lecture

L33-From The Playwright's Perspective -Part II

  • Course: Understanding Creativity and Creative Writing
  • Discipline: Humanities and Social Sciences
  • Faculty: Prof. Neelima Talwar
  • Institute: IIT Bombay

    • NEXT LECTURE >> L34-From The Perspective of Playwriting: Anton Chekhov
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    Course Video Lectures L1-Overview L2-In Conversation with Richard Schechner L3-Multilingual Plurality: Our Environment L4-Multilingual Plurality: Our Environment -P.. L5-Interplay of Languages and Forms of Writin.. L6-Interplay of Languages and Forms of Writin.. L7-Creativity and Cultures L8-Notion of Play and The Three Domain Activi.. L9-Theory of Enjoyment: Critical Assessment L10-Divergences and Convergences L11-Divergences and Convergences -Part II L12-Creative and Cultural Spaces for Students L13-Being and Doing: Writing as Performance L14-Writers and Writing: The Dialogic Process L15-Creativity, Writing, Creative Writing: Re.. L16-Issues Related to the Teaching of Creativ.. L17-Writers on Writing: Albert Camus L18-Critical Reading of Great Writers: Albert.. L19-Critical Reading of Important Writers: Ma.. L20-Reading and Writing L21-Indian Writing: Writers/Narrators L22-Contemporary Indian Writers: The Search f.. L23-Contemporary Indian Writers: The Search f.. L24-Mosaic Patterns: Module 2 L25-Introduction to Drama L26-Performance and Script Writing: Mime L27-Western Classical Theory L28-Student Response (I) L29-Indian Drama: Classical Theory and Practi.. L30-Interacting Continuum: Classical, Folk an.. L31-From The Perspective of Playwriting: Mono.. L32-From The Playwright's Perspective L33-From The Playwright's Perspective -Part I.. L34-From The Perspective of Playwriting: Anto.. L35-Drama in the Classroom: Experience and Wr.. L36-Student Response (II) L37-Performative Reading of the Cherry Orchar.. L38-Short Story as a Genre L39-Short Stories by Indian Women Writers L40-Modern Western Short Story L41-Varieties of Writing Processes
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